Trying is the first step toward failure, says Homer Simpson. In our society, failure is a four-letter word. Maybe it shouldn’t be.
The TED Radio Hour last weekend focused on failure. The show included an interview and TED Talk excerpts from entrepreneur Astro Teller who said he rewards colleagues at his moonshot factory for failing. Calling innovation “messy,” Teller said the ability to recognize and acknowledge failure allows people to stop heading in the wrong direction and start fresh looking for a productive direction.
The secret to success, Teller says, “is learning how to kill projects” so they can be reborn.
Economist Tim Harford, who wrote Adapt: Why Success Always Starts With Failure, says trial and error is a tried-and-true method to solve problems. Brilliant Eureka moments may occur sometimes, but Harford says it is better to embrace failure and constantly adapt, “to work from the bottom up rather than the top down.”
Casey Gerald, who founded MBAxAmerica, espouses the “Gospel of Doubt.” Gerald said core beliefs have let him down in life, helping him to learn that “clear-eyed doubt can sometimes be better than belief.” Innovation doesn’t start with certainty, just curiosity and resolve.
Writer Lidia Yuknavitch, who collaborated with Ken Kesey on a collective novel project at the University of Oregon, said early career failures fueled her efforts to “find worth” in herself as a writer.
The theme of the show, hosted by Guy Raz, was “failure as an option.” Far too often, failure is seen as an end point, not a launch pad; as a sign of defeat rather than a signpost to move in another direction.
Many communications projects are scrapped because they initially don’t succeed or underperform. Sponsors or the communicators themselves give up without trying to fix what is failing.
Excellent communications strategies and tactics are frequently the product of trial, error, testing and restarting. If at first you don’t succeed doesn’t mean you can’t ultimately succeed.
Twyla Tharp, one of the greatest choreographers with roots in Seattle’s ballet company, received highly critical reviews of her dance musical Movin’ Out set to the music of Bill Joel. Instead of closing it down, Tharp methodically ironed out each criticism of the show, and from there the show went on to earn 10 Tony nominations.
Tharp wrote a book called The Creative Habit: Learn It and Use It for Life, in which she describes the habit of realizing you are in a rut. Ruts, Tharp says, are like false starts. The only way to get out of a rut, according to Tharp, is to admit you’re in one, climb out and look for fresh inspiration or untried approaches.
That’s good advice. Failure is not a permanent condition. It’s just the first step on a longer journey to eventual success.