YouTube

12 Tips for Making Video a Reality in 2019

If 2019 is finally the year when you decide to make a corporate video, here are 12 things you should know that will make your video a hit instead of a snack room joke.

If 2019 is finally the year when you decide to make a corporate video, here are 12 things you should know that will make your video a hit instead of a snack room joke.

If 2019 is the year you’re finally going to start producing video content about your business or organization, here is a handful of tips to help you plan a flawless video campaign in the new year. (With a nod to the 12 Days of Christmas and all things fun and festive!) 

1.  Know why you’re producing a video

This should be obvious, but you’d be surprised by how many otherwise smart professionals decide they want to produce a video about their company without thinking through their goals and outcomes. Don’t be that person. Get clear about the pain you want your video to relieve before you start imagining what you want your video to look like. 

2.  Decide who this video is for

Every video you produce needs to appeal to a specific audience. Taking the time to identify the audience you want to reach and the messages you want to communicate, will help you decide the type of video you want to produce, as well as the creative tone and style you want your video to convey. 

3.  Get clear about your outcomes

What do you want your target audience to do after they’ve watched your video? Visit your website for more information? Donate money online? Fill out an online job application? Whatever your outcomes, make sure your video has a strong call to action, directing viewers to take the next step.

4.  Be honest about the investment you’re willing/able to make

Successful video projects are an investment in time, money and talent. The average video project takes an average of 12 weeks from concept to completion. On the low end, a typical budget for a two-to-three-minute video starts at around $5,000 and can vary widely, depending on the complexity of the video you want to produce.

5.  In-house or outsource?

If you’re producing a video in-house, your main investment will be staff time. If you outsource your project, your investment will be in dollars, to hire outside video experts who can assist you in everything from story planning, project management and creative development, to filming, story production and editing. The deciding factor typically comes down to the amount of extra staff time an organization has (or doesn’t have) to devote to the amount of time needed to produce a video. 

6.  Plan, baby, plan

Leave winging it to the birds. Without a solid plan, your video project is DOA.

7.  Short, long or in-between?

There’s a lot of buzz around the “perfect” length of a video. The truth is, there is no perfect video length. However, there are guidelines, based on how a video will be used. For example: 60 to 90-second video testimonials of company executives or customers work well as email attachments, on a website or social media platform. Ditto for a two-to-three-minute product demos. Videos in the three-to-five-minute range (company culture videos, award videos, fundraising appeal videos or video case studies) work well in live presentations or on a website. My rule of thumb around video length is: make it long enough to cover your most important messages, but not too long that people lose interest. 

8.  There’s no “I” in team

Keep your internal team small and focused. Make sure everyone on your team shares the same goals and outcomes and is motivated to keep the process moving forward.

9.  Find video partners that work and play well with others

Every video company has a great demo reel. But look beyond the pretty images when evaluating a potential video partner for your next project. Find a team whose work ethic and values mirror yours. Seek out video pros who “get” your vision, are focused yet flexible, communicate well, enjoy the collaborative process, are easy to work with and deliver projects as scheduled. 

10.  Expect the unexpected

Scheduling snafus. Production bumps. Last minute script changes. Re-edits at the 11th hour. Something unexpected will happen during the life of a project. Having a solid game plan will help you overcome these bumps in the road. When the unexpected appears, stay calm and carry on.

11.  Think Vimeo for video hosting

Most people immediately think of YouTube for video hosting because it’s a free service. But Vimeo is a better bet, especially for business and corporate work. Vimeo is a paid service, but the investment is worth it for a couple of important reasons: First, Vimeo allows users to keep their original online video links, so you can make revisions to an existing video without having to create a new video link, as you have to do with YouTube. Second, Vimeo doesn’t paste unwanted ads over your video like YouTube does. These are small, but important distinctions, and worth paying attention to, if maintaining a professional visual presence is important to you, and your audience.

12.  Enjoy the ride

The video medium is such a powerful communication tool and there are so many applications for it that you owe it to yourself to at least consider producing a video sometime in 2019. And if you are already on the video bandwagon, here’s to another great year of creating video content that engages, educates and inspires. 

Holly Paige Photo.jpg

About the author:

Holly Paige is a story consultant and video content creator based in Portland, Oregon. She produces videos for businesses and organizations that want to tell their stories – and tell them right. Visit: www.waveonegroup.com

 

Which Online Video App is Right for You?

Instagram introduces a new long-form video-sharing platform that underlines the importance of video content in marketing, public affairs and political campaigns.

Instagram introduces a new long-form video-sharing platform that underlines the importance of video content in marketing, public affairs and political campaigns.

Instagram, the popular photo sharing app, stepped up its game in a big way last week by launching IGTV, a mobile video app for iOS and Android. IGTV allows users to shoot vertical video on their smartphones, and upload an hour’s worth of video, up from its previous one-minute limit. IGTV is accessible from a button inside the Instagram home screen, as well as a standalone app. Users can create their own content, and access popular videos from Instagram celebrities.

By declaring “Game On!” to online video rival YouTube, IGTV could prove to be a worthy competitor in the video-sharing space. Some industry analysts are even predicting that Instagram, and parent company Facebook, are challenging the future of television with IGTV, pointing to the “TV” in the name of the app, and the “static snow” effect that appears in the app when users switch from one video to another.

Clearly, the impact of IGTV on the current state of television or online video remains to be seen. In the meantime, there are plenty of existing apps and platforms that B2B and B2C content marketers are using to create and post engaging video content. Here’s a sampling:

YouTube: This is the granddaddy of the free online video content-sharing sites. YouTube is owned by Google, so you can expect YouTube videos to show up well in SEO searches. On the other hand, the sheer popularity of YouTube videos can make it difficult for your specific video to gain traction with its intended audience. There are the annoying pop-up ads that appear on your video, and the so-called “related” videos that appear after your YouTube video ends. But if you want maximum SEO search capabilities, and don’t care about pop-up ads or other forms of brand clutter, YouTube’s your platform.

Vimeo: This video platform is preferred by filmmakers and producers of high-quality videos. Vimeo is a paid service for business, but the advantages include no ad overlays over videos and brighter video and cleaner audio. Unlike YouTube, you can make changes to a Vimeo video without creating a new URL link. This is a time and money saver, especially if you have a video you plan to update on a regular basis.

Facebook Live: This service allows users to broadcast live video from their mobile devices straight to their Facebook News Feed. Use this app to share up to 90 minutes of live events, interviews or other user-generated content. Users can access the Facebook Live option when they post an update to their Page. They’ll be able to see who’s watching their broadcast, as well as read and respond to any real-time comments. After the broadcast has ended, your Facebook Live video will remain visible on your Facebook stream.

Periscope: This is Twitter’s live streaming video app. You’ll need a Twitter account to shoot video with the app. When you download Periscope from the App Store, you can subscribe to the Periscope broadcasts of those you follow on Twitter. Periscope played a key role in American politics in June 2016 when Democratic members of the US House of Representatives staged a sit-in on the House floor to protest gun control. When the House session was halted, and the cameras shut off, Rep. Scott Peters (D-California) used his Periscope account to broadcast the sit-in and speeches, which was live streamed by C-SPAN.  

LinkedIn: In August 2017, the world’s largest online professional network jumped into the B2B video arena by launching LinkedIn video through its mobile app for iPhone or Android. Users can record their own video in the app or upload previously recorded content. In May 2018, LinkedIn introduced video ads for sponsored content. According to the company, the sponsored content video lives directly in the LinkedIn news feed. Similar to the Facebook Ad model, LinkedIn’s Sponsored Content video is a paid service, with pricing levels based on pay-per-click (CPC) or pay-per-1,000 impressions (CPM).

So, what does it all mean?

It means video is a huge part of the online experience, with as many different uses for video as there are apps and video platforms. It’s easier than ever to create and post your own videos, but the glut of online video content makes it hard to rise above the noise.

That’s why content marketers and professional communicators need to get crystal clear about the audiences they want to reach, and the messages they want their audiences to hear, so they can produce visual content that is engaging, memorable and meaningful.

Holly and Wayne Paige are video content marketing strategists and creators based in Portland, Oregon. They use the power of storytelling to produce videos for businesses and organizations that want to tell their stories – and tell them right. Visit: www.digitalwave.tv and www.waveonegroup.com.

 

Small Business Use of Social Media Continues to Grow

Small businesses follow trends of increased social media presence and promotion and use of visual content such as infographics, images and videos.

Small businesses follow trends of increased social media presence and promotion and use of visual content such as infographics, images and videos.

Despite its problems with preserving user privacy, Facebook remains the dominant social media platform for small businesses, but Instagram, YouTube and Twitter are catching up. LinkedIn and Snapchat are in the race, too.

More than 70 percent of small businesses with fewer than 500 employees use social media promotion, according to a recent survey of more than 350 US small business owners conducted by Clutch, an independent research firm based in Washington, DC.

Small business presence on social media platforms has risen in step with increasing user engagement. Clutch says as many as 24 percent of small businesses now posting on social media started as recently as 2017. More than half of small businesses with an online presence post something daily.

Women-owned small businesses tend to rely on social media more than businesses owned by men. Millennial-owned small businesses are more likely to use social media than older business owners.

Fifty-four percent of small businesses post images or infographics on their social media sites, adhering to evidence that visual content draws greater attention than text.

Of the small businesses surveyed by Clutch, 16 percent said they planned to become active on social media, while only 13 percent indicated no interest.

Eighty-six percent of small businesses surveyed indicated they are on Facebook, which isn’t much of a surprise given its overall social media market dominance with 2.13 billion users across multi-generations and the ability to target audiences.

A little more surprising is that Instagram logged in as the second most used social media platform with 48 percent of small businesses. YouTube (46 percent), Twitter (44 percent), LinkedIn (31 percent) and Snapchat (25 percent) also attracted substantial small business usage. Only 12 percent of small business social media users rely only on Facebook.

A social media presence for women-owned small businesses is a virtual no-brainer because women outnumber men as social media users. The same holds true for small businesses owned by Millennials and targeting Millennial consumers, who grew up surrounded by digital media and can’t imagine life without the internet.

Generational preferences indicate Gen X and Baby Boomers are more likely to prefer Facebook and LinkedIn while Millennials gravitate more to Instagram and Snapchat, creating at least a crude form of social media segmentation.

The Clutch survey showed 52 percent of small businesses post something daily on social media, 70 percent post weekly and 94 percent monthly.  Images or infographics (54 percent) are the more popular type of content posted by small businesses, followed by offers or promotions (52 percent), reviews (49 percent), videos (44 percent), blog posts (40 percent) and research data (33 percent).

 

Internet Deserts Text in Favor of Video, Audio and Animation

The internet has swung from text-heavy to video, audio and animation. Have you kept pace or are you becoming a dinosaur when it comes to reaching your audience where they are watching?

The internet has swung from text-heavy to video, audio and animation. Have you kept pace or are you becoming a dinosaur when it comes to reaching your audience where they are watching?

Audio and video content are rapidly overtaking text as the internet converts into a dominantly visual media. Unless you aspire to become a modern dinosaur, take note.

Apps, podcasts and YouTube videos are supplanting web pages and blogs. Mobile devices have morphed into broadcast cameras and digital editing booths. Videos attract the most views on Facebook, Twitter and Instagram. Online gaming is ubiquitous.

But the trend runs far deeper. Realtors, among others, employ virtual reality to allow homebuyers to scout potential houses. Apple iPhone X recognize your face. Digital assistants obey verbal commands to surround us with our music playlists or uncover long lost recipes.

It shouldn’t be surprising because pictures have always spoken louder than words. Ex-presidential secretary Ron Porter’s record of spousal abuse was known when he was appointed, but didn’t become a disqualification for employment until pictures surfaced showing an ex-wife with a black eye.

A special edition in The New York Times recalled the internet began as a text-heavy communications channel. That was all the bandwidth of the time could handle. “Suddenly the script flipped,” wrote Farhad Manjoo, “Now it’s often easier to communicate through images and sounds than through text.”

Imagery pairs better with shorter attention spans – and with our intrinsic ability to see first. We remember more of what we see than what we hear or read. That’s just how our brains are wired.

Wider availability of audio and video editing tools means more people, especially more young people, are familiar with constructing visual and audio content. That influences and informs audiences to expect information packages with a higher degree of presentational values. Visual communications usually dress up better than text.

What you can’t photograph or capture on video, you can animate. Cartoon characters, special effects, visual origami and out-of-this-world imagery can captivate. Animation tools are increasingly available to ever younger designers. The art of animation also continues to arc closer to the science of computer technology.

Online advertisers are following the crowd, spending more resources on video, audio and visual content. Why not with stats like this: YouTube says viewers in 2017 watched 1 billion hours of videos, averaging two hours per day. About 70 million Americans listen to five hours of podcasts per week. More than 800 million people use Instagram for 30 minutes a day. Netflix plans to invest $8 billion and Apple $1 billion in original content.

The #MeToo movement has shown once again how powerful a social media hashtag campaign can become. President Trump parlayed his often audacious and politically incorrect Twitter feed into an election victory by rallying and activating a base of supporters. 

There are societal casualties. There are rising fears of online addiction. The line between fact and fiction, reality and alt-reality has been blurred, much like George Orwell predicted in his dystopian novel 1984. Images can easily be doctored, challenging viewers to detect whether what they see is real or fake. Virtual “reality” could take false imagery to a whole new level. But those challenges exist in text, too. Think Mein Kampf

All this should be enough to convince you to get busy about video and audio content. Right? Right.

YouTube Channels that Inform, Entertain and Humanize

Michelle Phan went from a makeup blogger to a YouTube phenom by combining her visual subject matter with a medium that matched her target audience’s preference and offering informative, entertaining and humanized video content.

Michelle Phan went from a makeup blogger to a YouTube phenom by combining her visual subject matter with a medium that matched her target audience’s preference and offering informative, entertaining and humanized video content.

People love to watch videos for information and entertainment. One way to capitalize on this popularity is to broadcast your videos on your own YouTube channel.

Socialblade.com has listed the top 100 YouTube channels, which confirms people, especially young ones, like to watch videos that are informative and entertaining. Many of the top 100 are YouTube channels for performing artists, such as Justin Bieber and Beyoncé. And then there is Michelle Phan.

Phan took a blog devoted to makeup tutorials and turned it into a YouTube powerhouse. She has uploaded almost 400 videos since 2007, which have attracted more than 1 billion views. One of Phan’s most viewed videos – 1.5 million views – shows how to style up when attending a music festival.

Other videos talk about hair removal, pimples and makeup tips and tricks. Phan provides trend reports on metallic lips, lift-up shoes, peel-off makeup and glitter freckles. There also are videos that address cyberbullying and acne shaming.

Phan, who was born in Massachusetts, posted a video earlier this year about her trip to Vietnam to meet with family members and discover her ancestral roots. The video is polished, with professional videography and quick clips that take you along for her ride without making you wish you could jump off the bus.

Michelle Phan went from a blogger to a YouTube powerhouse vlogger by using the visual strength of videos to bring her makeup tutorials to life.

Michelle Phan went from a blogger to a YouTube powerhouse vlogger by using the visual strength of videos to bring her makeup tutorials to life.

Phan is regarded as a YouTube personality and entrepreneur. But her secret isn’t really a secret. She took a subject that is highly visual and brought it to life on video. She mastered an on-camera style that makes a potentially boring subject interesting, or even exciting for young women intensely consumed with how they look.

Marketers encourage use of video content because it can boost clicks on social media and websites. Some recommend setting up YouTube channels to create your own broadcasting network to run parallel with a website. We agree with the power of videos, especially as more people interact with the internet on mobile devices.

But more is required than setting up a camera to capture a talking head or an unstaged and unscripted event. Videos worth watching are videos that have been designed with forethought. For example, Phan succeeds on YouTube because her message and her medium match with the preferences of her target audience.

AARP has a YouTube channel that features videos with clips of 1960s rock and roll bands, tips on how to avoid injuring-causing falls and look-backs to major historical events. The YouTube channel for Angie’s List contains videos showing to stain a deck, finding the best body shop after a wreck and deciding whether to repair or replace an air conditioner.

AARP provides a suite of video content on its YouTube channel designed to address issues of interest to older Americans, including an avenue for entrepreneurs to pitch ideas to help seniors maintain an independent lifestyle.

AARP provides a suite of video content on its YouTube channel designed to address issues of interest to older Americans, including an avenue for entrepreneurs to pitch ideas to help seniors maintain an independent lifestyle.

Video provides an opportunity to humanize your brand, infusing it with personality, a life story and first-hand experience. YouTube is a perfect channel to extend your story brand and engage customers. The key is to make your brand extension and customer engagement informative and entertaining so people tune in.

YouTube: Your Own TV Station

YouTube stars Caspar Lee and Joe Sugg are parlaying their massive online following into gigs in TV and film. It's a bold example of the huge personal branding potential for anyone with their own YouTube channel. 

YouTube stars Caspar Lee and Joe Sugg are parlaying their massive online following into gigs in TV and film. It's a bold example of the huge personal branding potential for anyone with their own YouTube channel. 

As digital media has allowed you to be your own content publisher, YouTube allows you to be your own TV station.

Today, the video sharing giant has become far more than a personal outlet for run-of-the-mill vloggers to vent their frustrations and show off their whacky sense of humor. Now drawing tens of billions of views a month on millions of fresh videos, YouTube has created a massive worldwide platform for its biggest stars, many of whom are finding their successful video careers expanding well beyond YouTube and into more traditional media. But you don’t have to be famous to tap into the limitless marketing potential of YouTube.    

Last week, The Guardian highlighted the story of successful British YouTube due Joe Sugg and Caspar Lee, who started small and built a large following, which they later parlayed into TV and movie deals. Though not exactly household names in the U.S., Sugg and Lee have more than 11 million YouTube subscribers and upwards of one billion views on Google’s video service. Theirs is an example of how far the clever use of a YouTube channel can get you.  

Last year, the duo released Joe and Caspar Hit the Road, a straight-to-DVD movie chronicling their trip around Europe. Behind the production is the team from the popular British TV series Top Gear. While going straight to DVD usually means your movie is a box office dud, the rule simply doesn’t apply for the rising stars of YouTube. After topping the sales charts as a DVD and digital download on the web, the movie will make its way to the E4 TV network this month, and a sequel is already in the mix for this fall.

Clearly, you don’t have to be famous to tap into the massive marketing potential of YouTube. If you self-promote it, they will come. Just as blogs have become a more common marketing tool for businesses in the past several years, YouTube vloggers have begun to gain more traction among branding strategists. Now those strategists are turning to YouTube with their own channels for branding a company.  

According to a 2015 Social Media Examiner study of more than 3,700 marketers, 55 percent of business-to-business marketers and business-to-consumer marketers are incorporating YouTube into their brand-building strategies today. The number of YouTube converts continues to grow, and it should for quite some time.

Consider that we live in an age where video has overtaken written communication as a more popular, fast-growing communication medium online, especially among young audiences. Part of what’s driving so many to seize upon YouTube as a marketing tool is the simplicity and accessibility of YouTube. Anyone can shoot a video and post it to their channel, and it doesn’t have to be long or particularly well made to draw thousands or even millions of views.  

Rising new media companies, like Vice, owe much of their recent success to YouTube. After drawing millions upon millions of views on their short clips and alternative documentaries posted on YouTube, Vice had picked up enough of a following to launch its own daily news show on HBO. Now Vice is expanding in Europe with 30 shows in production and another 100 in development, said Eddy Moretti, the company’s chief creative officer.

“Our model has been we launch a channel online, we create the brand, we create a lot of video for that brand, and find talent … And we’ve been moving that talent, that IP [intellectual property], those videos, to other platforms,” Moretti said.

The success of these new media ventures aside, any successful branding strategy in today’s fast changing world needs to be designed to draw in millennials online, and few places in the digital arena offer a better venue for that than YouTube. That concept should always be top-of-mind for any branding strategist today. Whether you work for a meteoric video producer like Vice or a much smaller local business, YouTube may just be your best friend in marketing for many, many years to come. 

Justin Runquist is CFM’s communications counsel. He is a former reporter for The Oregonian, The Columbian and The Spokesman-Review. Away from the office, he’s a baseball fanatic with foolhardy hopes that the Mariners will go to the World Series someday. You can reach Justin at justinr@cfmpdx.com and you can follow him on Twitter at @_JustinRunquist

Learning from Obama’s YouTube Engagement

Learning from Obama’s YouTube Engagement.jpg

President Obama followed up his State of the Union Address with a surprising decision. Rather than making the rounds on the usual press circuit, he conducted a series of interviews with some of YouTube’s biggest stars. 

The move may startle some, but the statistics prove the President knows exactly what he is doing. The broadcast version of the State of the Union Address had some of the lowest viewing statistics in recent history, but the online conversations told a different story. “1.2 million people watched the speech on the White House’s website; 2.6 million tweeted about it and another 5.7 million liked, shared or posted about it on Facebook.” 

This story shouldn’t be new to anyone who has been paying attention. For years, reports have shown media sources continue to be fragmented, while use of social media has only continued to grow. 

Media outlets have been struggling to keep up with the changes. The lines between media channels have continued to blur. Nearly every outlet, whether print or broadcast, has an online presence. Reporters are expected to develop a following on social media, and there are often financial incentives for how many clicks a story receives. 

What can companies and organizations learn from Obama’s example? Giving an exclusive to the right reporter might be the best way to get your story out via social media. Consider a different format than the traditional interview. Maybe it’s a Reddit-style question-and-answer session (also known as an Ask Me Anything or AMA). Maybe it’s a video interview where the publication has its readers submit questions via Twitter. Local media has readers it wants to engage and might be willing to try out something new. You never know until you ask. 

If you decide to go this route, there are a few things you must consider:

  1. Your story must be newsworthy. Make sure your exclusive is something truly important or you might damage your relationship with the reporter. 
  2. Make sure the reporter is someone you can trust. When trying out a new format, it’s important that ground rules are set ahead of time. 
  3. Be prepared to be transparent. Your critics will come out of the woodwork. Be prepared to answer their difficult questions. 
  4. You must be very comfortable giving interviews. This is not a technique for media newbies. If you’re not comfortable, media training is a great place to start. 

This technique might not be appropriate for everyone. You might consider doing something yourself, if you have your own social media channels. But if you want to get your story out to a wider audience using social media, your best bet may just be a member of the traditional media.  

Simplicity Sells

Despite all evidence to the contrary, people resist the principle that simplicity sells. The simple truth is that it does. 

People loathe complicated instructions. They quickly abandon websites with confusing navigation. They click off YouTube videos that are too long and too boring.

With shortened attention spans and a lot of competition for mind-share, people want things simplified. It's that plain and, shall we say, simple.

American writing has become more simplified and uncluttered since Ernest Hemingway. Advertising copy and jingles, 28-minute sitcoms and mobile devices all have contributed to the trend of compressing a lot into a little space.

Brevity has gone from a virtue to a necessity. Simplicity helps determine the winner in the binary world of "click on" or "click off."

Yet many people, including PR professionals, continue to insist on "telling the whole story." They miss the point that you have to get people interested in the first line of the story before you earn the opportunity to tell more.

Growth of Social Media Advertising

Social media advertising is growing rapidly, but the key to success remains in having vital social media sites featuring compelling original content.Social media ads are becoming a staple of integrated marketing campaigns as marketers look for ways to surround their target audiences. And people are taking notice of more ad traffic on their social media streams.

A survey by Vizu confirms advertisers are embracing social media ads as a way to drive traffic to their websites. A report by BIA/Kelsey predicts native social media ads will grow from $1.5 billion this year to $3.9 billion in 2016.

But marketers aren't abandoning other tactics, such as online display, TV and print ads. Instead, social media ads seem to be the latest great idea to take their place as just another outreach tool to audiences, much like mobile apps.

Social media ads are proliferating, explains Ryan Holmes, CEO at HootSuite, because they produce results — at least better results as measured by numbers of clicks than stale ideas such as online banner ads. 

Content that Informs and Entertains

A clue to success in today's more crowded thoroughfare of content marketing is to entertain while you inform. It will give your content a distinctive quality and provide an even richer conduit to convey your story.

Entertainment values need to match the nature of the content it accompanies. Many subjects aren't appropriate for light-hearted treatment. But great photography or emotional storytelling can deepen the understanding of viewers. 

The presentational qualities of almost all media — from billboards to videos — have improved hugely, so most people are accustomed to, and expect, outreach with more dimension and pizzazz. You no longer can afford to communicate in 2D to a 3D world.

Online is Norm, Not Exception

Data from 2012 shows Web access and use growing worldwide, with a real surge in social media and mobile traffic.There are 2.4 billion Internet users worldwide compared to 2.2 billion email users. There are 5 billion mobile phone users, including 1.3 billion who have smartphones. There were a staggering 1.2 trillion Google searches in 2012 and 1 billion active Facebook users.

Those are a sampling of statistics arrayed in a blog by Pingdom, which helps its clients keep their websites online. It has provided similar year-end summaries since 2008.

The 2012 summary is dotted with interesting data points, such as the average Twitter user tweets 307 times per year, the average LinkedIn user is 44.2 years old and 47 percent of Facebook users are female.

Some of the information has commercial value in assessing channel choices. For example, there are 425 million active Gmail users, which Pingdom says makes it the largest email provider in the world. The top 100 blogs that run on WordPress claim a 48 percent share of viewers. There were 37 million page views on Reddit.com and 191 million visitors to Google Sites, making it the number one web property in the United States.

Not Being a Yahoo Anymore

Even as financial vultures circle overhead, Yahoo is trying to capitalize on its dominant online position. Its strategy involves producing more original news and entertainment that give Yahoo a distinct voice, potentially opening new doors for marketers.

According to comScore calculations for August, Yahoo attracted 81.2 million unique visitors to its site featuring largely aggregated content from a mix of media sources. That was more than the 75.3 million who clicked on CNN, which most casual observers would declare as the online news leader.

That audience hasn't automatically translated into revenue, Yahoo officials concede. Their answer is to make Yahoo a more indispensable online hangout through original content.

The New York Times reported Yahoo has signed deals with Walt Disney to showcase articles and videos produced by ABC News and create a co-branded website for "Good Morning America." Yahoo also is hiring reporters and editors to break news online.

It is personalizing online content and adopting social media concepts, such as allowing users to share articles with friends, a la Twitter and Facebook. Yahoo also will create exclusive online events, such as a video stream of a charity concert featuring Lady Gaga, Usher and Bono.

Growing With Web Video

Getting stories placed in newspapers, radio and TV continues to be a tough challenge as the traditional media confronts shrinking resources. Definitions of newsworthiness change. Don’t give up on the media, but increase the chances for success by telling your own story via web-based video, going as directly as possible to targeted audiences.

It is getting easier all the time to get video on a homepage. Even digital cave persons can do it. Even cash-strapped local governments and nonprofits. CFM has worked with many different groups, particularly nonprofits, in coordinating video production. Here are a few pointers.